Passages, as I can summarize the past three blogs, are
a kind of non-places where you have to spend some time when being between a
past destination (the place you left) and a future destination (the place of
your planned arrival); that are ahistoric; and that make you into an isolated
no-one (someone with no identity without any relations with the others around
unless they are your “co-passengers”, i.e. the people you are travelling with
or what else you are doing there in the passage-space). Moreover, passages are constructed non-places: they have been made as passages as ways for directing
and guiding people. The most conspicuous examples are roads for through traffic,
like highways, and waiting rooms. I’ll not try to give an enumeration or
classification of kinds of passages but what strikes me is that the phenomenon
of passages looks like a modern version of the Panopticon that has been
designed by Jeremy Bentham around 1790. Some readers may remember that long ago
I have talked already about the panopticon, namely in my blog dated Dec. 21,
2009. For those who don’t I’ll repeat what I said there (the quotation is from Elisheva
Sadan, Empowerment and Community Planning, e-book version, 2004: www.mpow.org/elisheva_sadan_empowerment_intro.pdf
; p. 62): “ ‘The Panopticon is an eight-sided building surrounded by a wall, with a
tower at the center. The … occupants of the structure sit in cells located on
floors around the wall. The cells have two apertures – one for light, facing
outwards through the wall, and one facing the inner courtyard and the tower.
The cells are completely separated from one another by means of walls. …
Overseers sit in the tower and observe what happens in every cell. The
[occupants] are isolated from one another, and exposed to constant observation.
Since they cannot know when they are being observed, they supervise their
behavior themselves.’ As Foucault in Discipline
and punish (Peregrine Books, 1979: p. 200) explains, the structure can be
used ‘to shut up in each cell a madman, a patient, a condemned man, a worker or
a schoolboy’ ”, or, as I had added there, any other person that you want to
observe in this way. Essential for my comparison is that a panopticon is based
on the idea of secretly observing and controlling what people do. What I also
added there, but what I want to repeat here only as something to think about: From
that perspective, a panopticon is nothing else but Big Brother before the
expression existed.
Why are passages as defined here like a modern
version of Bentham’s Panopticon? It’s true that you are not forced to travel from A to B or what
kind of activity you do so that you need to use a passage. (But was a prisoner
forced to steal or murder?) But once you have left A – and in what follows I’ll
substantiate my point with the traffic case, but I think that it is easy to extend
it analogously to other cases – you are almost coerced to do what the road
planner (so actually the State) wants you to do on pain of traffic jams, long
driving times, being lost and other unpleasantnesses, including fines sometimes.
Road signs and route signs, traffic signs, roundabouts, feeder roads, highways
and what more discipline the traffic to follow the prescribed roads. And like
prisoners in a prison, most drivers voluntary obey the orders given by the
signs and signals for, as said, not doing so is punished somehow. The
comparison with the Panopticon (and Big Brother!) is even more real: Everywhere
surveillance cameras keep an eye on what you and the other drivers do so that
it is possible to intervene if considered necessary, for instance by adjusting
the speed of the drivers with road signs or traffic lights or by sending police
or road workers where problems have been seen or are to be expected. Everyone
is visible with the exception of the Regulator. Every driver is the object of
information and discipline but not a subject of communication (you are just
said or pushed what to do; never asked). This is the guarantee of order among
this collection of isolated individuals in no-one’s land like in Bentham’s
Panopticon (cf. Foucault id. pp.
200-1).
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